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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Musings and miscellaneum of Ali Madad, principal at scty.org</description><title>HIC SVNT DRACONES</title><generator>Tumblr (3.0; @alimadad)</generator><link>http://ali.scty.org/</link><item><title>Björk interviews Arvo Pärt</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/2pDjT1UNT3s?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Björk interviews Arvo Pärt&lt;/p&gt;</description><link>http://ali.scty.org/post/16323495032</link><guid>http://ali.scty.org/post/16323495032</guid><pubDate>Sun, 22 Jan 2012 19:54:36 -0500</pubDate></item><item><title>Harry Escott’s score to Steve McQueen’s Shame is a...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/q9MZUeeg2Ug?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Harry Escott’s score to Steve McQueen’s &lt;a href="http://www.youtube.com/watch?v=62nelnMXW3M"&gt;Shame&lt;/a&gt; is a work of painful intensity—of the lingering kind. The ‘coo inducing crescendo’ pathos of &lt;em&gt;Unravelling&lt;/em&gt;, when paired with the exquisitely taunt and drawn out sequences featuring Michael Fassbender’s Brandon preying in the subway and later running in desperation, is a work of cinematic brilliance.&lt;/p&gt;
&lt;p&gt;The comments in the YouTube clip will lead you to the work of Hans Zimmer, for an apparent homophonic analogue in his score for &lt;a href="http://www.youtube.com/watch?v=TG9-j3eevL4"&gt;The Thin Red Line&lt;/a&gt;.&lt;/p&gt;</description><link>http://ali.scty.org/post/15825855543</link><guid>http://ali.scty.org/post/15825855543</guid><pubDate>Sat, 14 Jan 2012 09:03:00 -0500</pubDate></item><item><title>"Porn reflects back the cruelty of a culture that tosses its mentally ill out on the street,..."</title><description>“Porn reflects back the cruelty of a culture that tosses its mentally ill out on the street, warehouses more than 2 million people in prisons, denies health care to tens of millions of the poor, champions gun ownership over gun control, and trumpets an obnoxious and superpatriotic nationalism and rapacious corporate capitalism.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Chris Hedges, Empire of Illusion&lt;/em&gt;</description><link>http://ali.scty.org/post/15485081515</link><guid>http://ali.scty.org/post/15485081515</guid><pubDate>Sat, 07 Jan 2012 21:29:34 -0500</pubDate></item><item><title>Essential Kubrick animated .gifs</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lxcbo2CTWC1r6d0qxo1_500.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://youmightlikethis.com/2011/12/essential-kubrick-animated-gifs/"&gt;Essential Kubrick animated .gifs&lt;/a&gt;&lt;/p&gt;</description><link>http://ali.scty.org/post/15355461936</link><guid>http://ali.scty.org/post/15355461936</guid><pubDate>Thu, 05 Jan 2012 14:33:37 -0500</pubDate></item><item><title>The scholar W. J. T. Mitchell, editor of Critical Inquiry, has...</title><description>&lt;iframe width="400" height="271" src="http://www.youtube.com/embed/w9-c1vfykhw?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;The scholar W. J. T. Mitchell, editor of &lt;a href="http://criticalinquiry.uchicago.edu/"&gt;Critical Inquiry&lt;/a&gt;, has taken as his subject the intersection of literature and visual arts, which leads him to &lt;em&gt;visual culture&lt;/em&gt; and&lt;em&gt; media studies&lt;/em&gt;. The above interview, following his lecture &lt;a href="http://www.youtube.com/watch?v=yqb8eTK1aMs&amp;feature=relmfu"&gt;Cloning Terror&lt;/a&gt;, is a good introduction to a recent history of the subject.&lt;/p&gt;
&lt;p&gt;A practitioner, taking cues from Mitchell and particularly his call for &lt;em&gt;a critique of visual culture that is alert to the power of images for good and evil&lt;/em&gt;, is&lt;a href="http://williambanzai7.blogspot.com/"&gt; @williambanzai7&lt;/a&gt;. William Banzai, of &lt;a href="http://www.zerohedge.com/"&gt;Zero Hedge&lt;/a&gt; notoriety, strives for a contemporary polemical image activism in his critique of money, power and institutions. Watch his year end &lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;v=lj1JkJUr7NA"&gt;YULE-POCALYPSE NOW!&lt;/a&gt;&lt;/p&gt;</description><link>http://ali.scty.org/post/15132612108</link><guid>http://ali.scty.org/post/15132612108</guid><pubDate>Sun, 01 Jan 2012 13:14:00 -0500</pubDate></item><item><title>In the mid-90’s I was introduced to the work of Noam...</title><description>&lt;iframe width="400" height="271" src="http://www.youtube.com/embed/TjKwdWJsTk0?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;In the mid-90’s I was introduced to the work of Noam Chomsky through his seminal &lt;em&gt;Manufacturing Consent&lt;/em&gt;. This interview, from 1988, with Bill Moyers is one of the best I have seen.&lt;/p&gt;</description><link>http://ali.scty.org/post/15081130746</link><guid>http://ali.scty.org/post/15081130746</guid><pubDate>Sat, 31 Dec 2011 09:15:48 -0500</pubDate></item><item><title>On this Winter Solstice, A White Rainbow by Coil:
A white...</title><description>&lt;iframe width="400" height="271" src="http://www.youtube.com/embed/Q8XsjRfcMf8?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;On this Winter Solstice, A White Rainbow by Coil:&lt;/p&gt;
&lt;p&gt;&lt;em&gt;A white rainbow under an unquiet skull&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (A roaring aura)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (A tremulous column of air, hanging there)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; Moon’s milk spills from my unquiet skull&lt;/em&gt;&lt;br/&gt;&lt;em&gt; And forms a white rainbow&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (A psychosis, a roaring aura)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (Aurora borealis)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; A white rainbow&lt;/em&gt;&lt;br/&gt;&lt;em&gt; A lunar ascension, a solar declension&lt;/em&gt;&lt;br/&gt;&lt;em&gt; A tremulous column of air hanging there&lt;/em&gt;&lt;br/&gt;&lt;em&gt; A bleached beach, a psychosis&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (Laughing like skeletons clattering at midday)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; Feel the moon’s pull&lt;/em&gt;&lt;br/&gt;&lt;em&gt; Feel the moon’s pull&lt;/em&gt;&lt;br/&gt;&lt;em&gt; Moon’s milk spills from my unquiet skull&lt;/em&gt;&lt;br/&gt;&lt;em&gt; A white rainbow&lt;/em&gt;&lt;br/&gt;&lt;em&gt; Inverted vertigo, a psychosis&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (Moon’s milk spills)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; And overhead, overhead&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (Feel the moon’s pull)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; A tremulous column of air, hanging there&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (A white rainbow)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; (Laughing like skeletons clattering at midday)&lt;/em&gt;&lt;br/&gt;&lt;em&gt; And overhead, a white rainbow&lt;/em&gt;&lt;br/&gt;&lt;em&gt; Under an unquiet skull, under an unquiet skull&lt;/em&gt;&lt;br/&gt;&lt;em&gt; Feel the moon’s pull&lt;/em&gt;&lt;br/&gt;&lt;em&gt; A white rainbow&lt;/em&gt;&lt;/p&gt;</description><link>http://ali.scty.org/post/14619088776</link><guid>http://ali.scty.org/post/14619088776</guid><pubDate>Thu, 22 Dec 2011 10:53:05 -0500</pubDate></item><item><title>A few works from the Fall semester Senior Survey at Pratt...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lwer18MS4O1r6d0qxo1_500.jpg"/&gt;&lt;br/&gt; L: Sabrina C., R: Michael R.&lt;br/&gt;&lt;br/&gt; &lt;img src="http://26.media.tumblr.com/tumblr_lwer18MS4O1r6d0qxo2_500.jpg"/&gt;&lt;br/&gt; L: Nora G&lt;br/&gt;&lt;br/&gt; &lt;img src="http://27.media.tumblr.com/tumblr_lwer18MS4O1r6d0qxo3_500.jpg"/&gt;&lt;br/&gt; R: Katie P.&lt;br/&gt;&lt;br/&gt; &lt;img src="http://28.media.tumblr.com/tumblr_lwer18MS4O1r6d0qxo4_500.jpg"/&gt;&lt;br/&gt; L: Chris K., R: David S.&lt;br/&gt;&lt;br/&gt; &lt;p&gt;A few works from the Fall semester Senior Survey at Pratt Institute.&lt;/p&gt;</description><link>http://ali.scty.org/post/14406672377</link><guid>http://ali.scty.org/post/14406672377</guid><pubDate>Sun, 18 Dec 2011 11:27:08 -0500</pubDate></item><item><title>Ah, end of the semester amusement.
Yesterday’s MFA Survey...</title><description>&lt;iframe width="400" height="271" src="http://www.youtube.com/embed/WVvKnq5XT-g?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Ah, end of the semester amusement.&lt;/p&gt;
&lt;p&gt;Yesterday’s MFA Survey was long, 8 hours of talking and walking, though Friday’s BFA Senior Survey should prove less grueling.&lt;/p&gt;</description><link>http://ali.scty.org/post/14216439274</link><guid>http://ali.scty.org/post/14216439274</guid><pubDate>Wed, 14 Dec 2011 10:28:51 -0500</pubDate></item><item><title>A few favorite films from 2011:
A Dangerous Method d. David...</title><description>&lt;iframe width="400" height="203" src="http://www.youtube.com/embed/lblzHkoNn3Q?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;A few favorite films from 2011:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;A Dangerous Method d. David Cronenberg&lt;/li&gt;
&lt;li&gt;Cave of Forgotten Dreams d. Werner Herzog&lt;/li&gt;
&lt;li&gt;Of Gods and Men d. Xavier Beauvois&lt;/li&gt;
&lt;li&gt;The Tree of Life d. Terrence Malick&lt;/li&gt;
&lt;li&gt;Midnight in Paris d. Woody Allen&lt;/li&gt;
&lt;li&gt;Drive d. Nicolas Winding Refn&lt;/li&gt;
&lt;li&gt;Bellflower d. Evan Glodell&lt;/li&gt;
&lt;/ul&gt;&lt;p&gt;And A few that slipped through:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;Tinker Tailor Soldier Spy&lt;/li&gt;
&lt;li&gt;The Artist&lt;/li&gt;
&lt;li&gt;Melancholia &lt;/li&gt;
&lt;li&gt;Beats Rhymes &amp; Life: The Travels of a Tribe Called Quest &lt;/li&gt;
&lt;li&gt;Martha Marcy May Marlene&lt;/li&gt;
&lt;li&gt;Young Goethe in Love&lt;/li&gt;
&lt;/ul&gt;</description><link>http://ali.scty.org/post/14118828133</link><guid>http://ali.scty.org/post/14118828133</guid><pubDate>Mon, 12 Dec 2011 10:38:00 -0500</pubDate></item><item><title>From Dylan Trigg’s essay, This Place is a Tomb: Infinite...</title><description>&lt;iframe width="400" height="271" src="http://www.youtube.com/embed/KohgRjIfils?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;From &lt;a href="http://www.dylantrigg.com/biography.htm"&gt;Dylan Trigg&lt;/a&gt;’s essay, &lt;a href="http://www.theliminal.co.uk/2011/12/this-place-is-a-tomb-infinite-terror-in-darkspace/"&gt;This Place is a Tomb: Infinite Terror in Darkspace&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In distinction to the bulk of black metal bands peddling themes of  religious evil on the one hand, and eco-friendly paganism on the other  hand, Darkspace eschew the human realm in favour a speculative thinking  about the nonhuman universe, as the band report on a Pascalian note in &lt;a href="http://mortemzine.net/show.php?id=1539"&gt;a recent interview&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;&lt;em&gt;We propose an experiment: Choose a dark and clear night. Lie down on  your back. Look out for the stars. You will feel like looking “up” into  the sky, but in Space there are no such things as “up” or “down”. You  are adhered to the planet by gravitational force only. Visualize that  situation and look “down” into the stars. You might feel the fascinating  fear to lose planetary contact and soar into the void&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://ali.scty.org/post/13971621452</link><guid>http://ali.scty.org/post/13971621452</guid><pubDate>Fri, 09 Dec 2011 11:37:00 -0500</pubDate></item><item><title>Recently J. Fischer queried me for my top albums of 2011. Having...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_lvvz1lpI7b1r6d0qxo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Recently J. Fischer queried me for my top albums of 2011. Having cleared out, but not deleted, my iTunes library a number of times this year I had to do a little digging. I turned to &lt;a href="http://www.metacritic.com/browse/albums/score/metascore/year?sort=desc&amp;year_selected=2011&amp;tag=supplementary-nav;item;4"&gt;Metacritic’s High Scores of 2011&lt;/a&gt; to jog my memory. And as it stands:&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;&lt;strong&gt;Is This Hyperreal?&lt;/strong&gt; Atari Teenage Riot&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Celestial Lineage&lt;/strong&gt; Wolves in the Throne Room&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Night of Hunters&lt;/strong&gt; Tori Amos&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Norwegian Wood&lt;/strong&gt; Jonny Greenwood&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Let England Shake &lt;/strong&gt;PJ Harvey &lt;/li&gt;
&lt;/ol&gt;&lt;p&gt;It’s worth noting that 3/5 point to more than a twinge of 90’s nostalgia, or perhaps career longevity. After looking through a few lists, I’ve clearly missed out on a couple releases (which I have since remedied):&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Street Halo&lt;/strong&gt; Burial&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Nostalgia, Ultra. &lt;/strong&gt;Frank Ocean&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;An Album By Korallreven &lt;/strong&gt;Korallreven&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Ninth&lt;/strong&gt; Peter Murphy&lt;/li&gt;
&lt;/ul&gt;</description><link>http://ali.scty.org/post/13919220694</link><guid>http://ali.scty.org/post/13919220694</guid><pubDate>Thu, 08 Dec 2011 08:05:00 -0500</pubDate></item><item><title>From Michael Lewis’s It’s the Economy,...</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_lvlddkpQ4L1r6d0qxo1_r1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;From Michael Lewis’s &lt;a href="http://www.vanityfair.com/business/features/2011/09/europe-201109"&gt;It’s the Economy, Dummkopf!:&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Published in 1984 by a distinguished anthropologist named Alan Dundes, &lt;em&gt;Life Is Like a Chicken Coop Ladder&lt;/em&gt; set out to describe the German character through the stories that  ordinary Germans liked to tell one another. Dundes specialized in  folklore, and in German folklore, as he put it, “one finds an inordinate  number of texts concerned with anality. Scheisse (shit), Dreck (dirt),  Mist (manure), Arsch (ass).… Folksongs, folktales, proverbs, riddles,  folk speech—all attest to the Germans’ longstanding special interest in  this area of human activity.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Dundes goes on, &lt;em&gt;“The combination of clean and dirty: clean exterior-dirty interior, or  clean form and dirty content—is very much a part of the German national  character.”&lt;/em&gt; So, by that measure how German is Freud? Well, he seems to have his own fecal fixation. In &lt;em&gt;Dreams in Folklore&lt;/em&gt; (1911), Freud writes: “How old this  connection between excrement and Gold is can be seen from an observation  by Jeremias: &lt;em&gt;gold, according to ancient oriental mythology, is the  excrement of hell&lt;/em&gt;”&lt;/p&gt;</description><link>http://ali.scty.org/post/13642599541</link><guid>http://ali.scty.org/post/13642599541</guid><pubDate>Fri, 02 Dec 2011 14:41:00 -0500</pubDate></item><item><title>While it may currently be prudent to Beware of Greeks Bearing...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lvk0vxaSEL1r6d0qxo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;While it may currently be prudent to &lt;a href="http://www.vanityfair.com/business/features/2010/10/greeks-bearing-bonds-201010"&gt;Beware of Greeks Bearing Bonds&lt;/a&gt; there is still much splendor to the ancient culture of yore. A few weeks back I assigned my Studio on Technology class Albert J. Bergesen’s reading of Greek sculpture and European painting applied to the form language of 20th century—sneakers.&lt;/p&gt;
&lt;p&gt;Hot on the heels Nietzsche’s &lt;a href="http://www.amazon.com/Philosophy-Tragic-Friedrich-Wilhelm-Nietzsche/dp/0895267101"&gt;Philosophy in the Tragic Age of the Greeks&lt;/a&gt;, I devoured Edith Hamilton’s &lt;a href="http://www.amazon.com/Greek-Way-Edith-Hamilton/dp/0393310779"&gt;The Greek Way&lt;/a&gt;. Ambling through the stacks at Pratt, I picked up Heidegger’s &lt;a href="http://www.amazon.com/Early-Greek-Thinking-Martin-Heidegger/dp/0060638427"&gt;Early Greek Thinking&lt;/a&gt;; ordered &lt;a href="http://www.amazon.com/Logos-Heraclitus-Eva-Brann/dp/1589880706/ref=sr_1_4?ie=UTF8&amp;qid=1322792678&amp;sr=8-4"&gt;The Logos of Heraclitus&lt;/a&gt;; started Schiller’s &lt;a href="http://www.amazon.com/Aesthetic-Education-Letters-English-German/dp/019815786X"&gt;On the Aesthetic Education of Man&lt;/a&gt;. Admittedly, Schiller’s object is not explicitly Greek, it is implicitly so. And so it’s only appropriate that the writhing&lt;em&gt; Laocoön and His Sons&lt;/em&gt;, adorn the post above.&lt;/p&gt;</description><link>http://ali.scty.org/post/13616314967</link><guid>http://ali.scty.org/post/13616314967</guid><pubDate>Thu, 01 Dec 2011 21:14:00 -0500</pubDate></item><item><title>Uncharted 3. Richly entertaining, albeit shorter than...</title><description>&lt;iframe width="400" height="203" src="http://www.youtube.com/embed/DHHcM6aHPnE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Uncharted 3. Richly entertaining, albeit shorter than predecessors?&lt;/p&gt;</description><link>http://ali.scty.org/post/13615795506</link><guid>http://ali.scty.org/post/13615795506</guid><pubDate>Thu, 01 Dec 2011 21:03:00 -0500</pubDate></item><item><title>"But yield who will to their separation,
My object in living is to unite
My avocation and my..."</title><description>“But yield who will to their separation,&lt;br/&gt;
My object in living is to unite&lt;br/&gt;
My avocation and my vocation&lt;br/&gt;
As my two eyes make one in sight.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Robert Frost, &lt;em&gt;Two Tramps in Mud Time&lt;/em&gt;&lt;/em&gt;</description><link>http://ali.scty.org/post/13157193159</link><guid>http://ali.scty.org/post/13157193159</guid><pubDate>Tue, 22 Nov 2011 09:01:00 -0500</pubDate></item></channel></rss>

